The distinctive section of the concert was a comprehensive essay of raga Khambodi followed by Dikshitar’s peerless ‘Sri Subrahmanyaya Namaste.’ Mahathi’s raga elaboration offered the usual, but her inventive touches lent elegance.
The noteworthy quality of Mahathi’s raga expositions was the judicious blend of karvais and brigas.
The quality of vocalist Mahathi’s concert shows her astuteness in the choice of kritis, the raga essaying style, her rendition ability, and aesthetics of swarakalpana.
Mysore V. Srikanth responded with fine touches in the raga essays and clever combinations in swaras.
Mahathi’s Malayamarutham raga treatise mostly traversed in the middle and upper regions.
Your support to NYOOOZ will help us to continue create and publish news for and from smaller cities, which also need equal voice as much as citizens living in bigger cities have through mainstream media organizations.
Stay updated with all the Chennai Latest News headlines here. For more exclusive & live news updates from all around India, stay connected with NYOOOZ.