Summary:
In Manomanthana, the dancer is widening the boundaries of the dynamic dance form, Kuchipudi, and attempts to capture the different shades of human life through a unique mix of Thyagaraja kritis, English prose and poetry. “Thyagaraja poetry is elegant and personified. As a dancer, it is a great privilege to perform on Thyagaraja kritis,” Srividya explained. Her second production, Manomanthana, has already been performed on Thyagaraja Jayanati in Thanjavur and Thiruvaiyaru, and now she is all set to showcase theperformance in Bengaluru. You can do a complete classical dance, if you want to deviate a bit, then also you will get an audience..