Summary:
For five days in succession, young dancers impressed the audience in Thrissur with their dance moves. As Parvathy joined her towards the end, the message became clear that Moksha is more valuable than the mookkuthi. Nirmala Paniker’s disciples Sandra Pisharody and Parvathy Sreevallabhan performed Poli, Kurathi, Esal and Mookkuthi with élan. The composition in Kalawati and Taal Jati began in a low tempo and gathered momentum as it progressed. Engu poyi en mookkuthi...
was a search for the nose-ring of the dancer that was lost irrecoverably..